Bryn Mawr Alum

The great Nokia turnaround--universal business lessons for leaders in any industry
Nokia once dominated the smartphone industry. It was to mobile phones was Kleenex is to facial tissues. Then iPhones and Androids appeared out of nowhere and pushed Nokia off the cliff. In just four years, the company lost over 90 percent of its value. Revenues were in freefall; massive layoffs became common. Pundits predicted that bankruptcy wasn't a matter of if, it was a matter of when.
Then something equally shocking occurred. In record time, Nokia bounced back. With a vengeance. Nokia reinvented itself and is now the second-biggest player in the $100 billion-dollar global wireless market.
In Transforming Nokia, the man who orchestrated and led Nokia's comeback--Chairman of the Board Risto Siilasmaa--reveals the story of Nokia's fall and resurrection. He reveals the inside story of the collapse and provides survival strategies and change-management methods any business leader can take to the bank. You'll learn how to harness the power of what Siilasmaa calls "paranoid optimism" and apply his winning entrepreneurial leadership model to rise above any challenge and drive sustainable success.
Whether you lead a team or a corporate division, head a start-up or a massive organization, and whether your business is on the rocks or running smoothly, Transforming Nokia provides everything you need to sharpen your foresight, expand your options, seize opportunities, and thrive, no matter what changes tomorrow brings.

"Compelling and brave, Kate's story is a must read for all young women learning how to navigate adulthood and identity."
--Lili Reinhart, New York Times bestselling author

Strip Tees is a fever dream of a memoir--Hunter S. Thompson meets Gloria Steinem--about a recent college graduate and what happens when her feminist ideals meet the real world.

At the turn of the new millennium, LA is the place to be. "Hipster" is a new word on the scene. Lauren Conrad is living her Cinderella story in the "Hills" on millions of television sets across the country. Paris Hilton tells us "That's hot" from behind the biggest sunglasses imaginable, while beautiful teenagers fight and fall in love on The O.C.

Into this most glittering of supposed utopias, Kate Flannery arrives with a Seven Sisters diploma in hand and a new job at an upstart clothing company called American Apparel. Kate throws herself into the work, determined to climb the corporate fashion ladder. Having a job at American Apparel also means being a part of the advertising campaigns themselves, stripping down in the name of feminism.
She slowly begins to lose herself in a landscape of rowdy sex-positivity, racy photo shoots, and a cultlike devotion to the unorthodox CEO and founder of the brand. The line between sexual liberation and exploitation quickly grows hazy, leading Kate to question the company's ethics and wrestle with her own.

Strip Tees captures a moment in our recent past that's already sepia toned in nostalgia, and also paints a timeless portrait of a young woman who must choose between what business demands and self-respect requires.

Postcolonial Satire: Indian Fiction and the Reimagining of Menippean Satire positions postcolonial South Asian satiric fiction at the intersection of the cutting-edge territory of political resistance writing and the ancient tradition of Menippean satire. Postcolonial Satire disrupts the relationship between postcolonial literature and magic realism, by discussing the work of writers such as G. V. Desani, Aubrey Menen, Salman Rushdie, and Irwin Allan Sealy as one movement into the entirely subversive realm of satire. Indian fiction, as well as the fiction of other colonized cultures, can be re-construed through the lens of satire as openly critical of a broad spectrum of political and cultural issues. Employing the strengths of postcolonial theory and criticism, Postcolonial Satire expands upon the postcolonial works of these authors by analyzing them as satire, rather than magical realism with satirical elements.

River Town Girl: A Memoir is about growing up in a small, working-class town on the Hudson River in the 1950s, '60s, and early '70s. One mile away across the river is New York City, but it might just as well be a thousand miles away. The town, Edgewater, has 4,000 people. Cut off by the river, which runs along it on the east, and the Palisades cliffs, which run along it on the west, it is rich in eccentric characters, and its life is shaped by the rhythms of the Hudson. The town is fertile ground for the delights and the powers of story telling. Today that version of the town is gone, buried under New Jersey's high-rise Gold Coast.

This story is about how a child of the 1950s becomes an adolescent of the 1960s and gradually but finally finds the strength to finish growing up. A bookish only child, the power of words to make sense of the world is life saving for her. In her books as a child and in her mother's stories and her father's journals, she comes to know a self both damaged and resilient. Later stories told in psychotherapy make sense of the overwhelming anxiety that threatens her.

The author treats memory as more episodic and fluctuating than traditional narratives do. Written in prose, poetry, lists, fragments, and dialogue and in both facts and imaginings, this patchwork creates a complex, coming-of-age story about a girl, a family, a town, a river, and a time now gone.