Bryn Mawr Faculty

Swirling with secrets and their consequences, exploring how revelation and redemption might be accessed through sin, and driven through twists and turns toward a startling conclusion, The 12th Commandment is a brilliant novel by award-winning author Daniel Torday.

The Dönme sect--a group of Jewish-Islamic adherents with ancient roots--lives in an isolated community on rural land outside of smalltown Mt. Izmir, Ohio. Self-sustaining, deeply-religious, and heavily-armed, they have followed their self-proclaimed prophet, Natan of Flatbush, from Brooklyn to this new land.

But the brutal murder of Natan's teenage son throws their tight community into turmoil.

When Zeke Leger, a thirty-year-old writer at a national magazine, arrives from New York for the funeral of a friend, he becomes intrigued by the case, and begins to report on the murder. His college girlfriend Johanna Franklin prosecuted the case, and believes it is closed. Before he knows it, Zeke becomes entangled in the conflict between the Dönme, suspicious local citizens, Johanna, and the law--with dangerous implications for his body and his soul.

Primo Levi, Holocaust survivor and renowned memoirist, is one of the most widely read writers of post-World War II Italy. His works are characterized by the lean, dispassionate eloquence with which he approaches his experience of incarceration in Auschwitz. His memoirs--as well as his poetry and fiction and his many interviews--are often taught in several fields, including Jewish studies and Holocaust studies, comparative literature, and Italian language and literature, and can enrich the study of history, psychology, and philosophy.

The first part of this volume provides instructors with an overview of the available editions, anthologies, and translations of Levi's work and identifies other useful classroom aids, such as films, music, and online resources. In the second part, contributors describe different approaches to teaching Levi's work. Some, in presenting Survival in Auschwitz, The Reawakening, and The Drowned and the Saved, look at the place of style in Holocaust testimony and the reliability of memory in autobiography. Others focus on questions of translation, complicated by the untranslatable in the language and experiences of the concentration camps, or on how Levi incorporates his background as a chemist into his writing, most clearly in The Periodic Table.

The movies and the masses erupted on the world stage together. In a few decades around the turn of the twentieth century, millions of persons who rarely could afford a night at the theater and had never voted in an election became regular paying customers at movie palaces and proud members of new political parties. The question of how to represent these new masses fascinated and plagued politicians and filmmakers alike.

Movies seemed to speak directly to the masses, via a form of crowd psychology that bypassed individual personality. Many political commentators believed that movies were inherently aligned with the new forms of collectivist mass politics--indeed, government control of the movie industry became a cornerstone of Communist and Fascist regimes, new political movements that embraced the crowd as the basis of social order.

Michael Tratner examines the representations of masses--the crowd scenes--in Hollywood films from The Birth of a Nation through such popular love stories as Gone with the Wind, The Sound of Music, and Dr. Zhivago. He then contrasts these with similar scenes in early Soviet and Nazi films. What emerges is a political debate being carried out in filmic style. In both sets of films, the crowd is represented as a seething cauldron of emotions. In Hollywood films, this is depicted as molding private loves, while collectivist movies present it as turning into organized mass movements. Crowd scenes do more than provide backgrounds for stories, that is: they also function as models for the crowd in the theater.

The book concludes with an examination of the films of Fritz Lang, who first in pre-Nazi Germany, then in Hollywood, created movies that can be seen as meditations on both these ways of using the crowd.

Co-authored by two psychologists both acknowledged in their field as experts in radicalization and consultants to the Department of Homeland Security and other government agencies, Friction draws on wide-ranging case histories to show striking parallels between 1800s anti-czarist terrorism, 1970s anti-war terrorism, and 21st century jihadist terrorism. Altogether, the twelve mechanisms of political radicalization demonstrate how unexceptional people are moved to exceptional violence in the conflict between states and non-state challengers.

In this revised and expanded edition, McCauley and Moskalenko use the twelve mechanisms to analyze recent cases of lone-wolf terrorists and illustrate how individuals can become radicalized to jihadist violence with group influence or organizational support. Additionally, in the context of the Islamic State's worldwide efforts to radicalize moderate Muslims for jihad, they advance a model that differentiates radicalization in opinion from radicalization in action, and suggest different strategies for countering these diverse forms of radicalization. As a result, the authors conclude that the same mechanisms are at work in radicalizing both terrorists and states targeted by terrorists, implying that these conclusions are as relevant for policy-makers and security officers as they are for citizens facing the threat of terror today.