Bryn Mawr Faculty
Bodies Unbound
by Piper Sledge
Approaches to Teaching the Works of Primo Levi
Primo Levi, Holocaust survivor and renowned memoirist, is one of the most widely read writers of post-World War II Italy. His works are characterized by the lean, dispassionate eloquence with which he approaches his experience of incarceration in Auschwitz. His memoirs--as well as his poetry and fiction and his many interviews--are often taught in several fields, including Jewish studies and Holocaust studies, comparative literature, and Italian language and literature, and can enrich the study of history, psychology, and philosophy.
The first part of this volume provides instructors with an overview of the available editions, anthologies, and translations of Levi's work and identifies other useful classroom aids, such as films, music, and online resources. In the second part, contributors describe different approaches to teaching Levi's work. Some, in presenting Survival in Auschwitz, The Reawakening, and The Drowned and the Saved, look at the place of style in Holocaust testimony and the reliability of memory in autobiography. Others focus on questions of translation, complicated by the untranslatable in the language and experiences of the concentration camps, or on how Levi incorporates his background as a chemist into his writing, most clearly in The Periodic Table.
Aqua's Aquarium
by C.C. McKee
Assistant Professor of History of Art and Director of the Center for Visual Culture
"I'm a Barbie Girl, in a Barbie world," the ubiquitous refrain that dominated the airwaves in summer 1997. Aqua's single from their debut album Aquarium spread like wildfire, topping charts across the globe. With their erotically charged lyrics and dance beats, Aqua moved beyond their Danish Eurodance beginnings and achieved global renown in the late 1990s. In the US, however, they are an infamous "one hit wonder," remembered for their highly publicized lawsuit with Mattel. Although Aqua's fame waned at the turn of the millennium, the 25th anniversary of their debut precipitated a resurgence in their popularity.
This book unwraps a bubblegum dance classic to offer the first in-depth examination of what lies beneath Aqua's sticky-sweet veneer. It traces the history of Aquarium alongside interpretations of the album's singles informed by queer theory and covers by contemporary musicians commissioned for the book. Peeling back the layers of Aquarium reveals a confection rife with unexpected contradictions and possibilities; videos permeated by seemingly innocuous articulates of heteronormativity are held in tension with suggestions of queerness, fetishism, and adolescent lust when heard through the ironic lens of camp.Ayia Sotira
Bread and Circus
Crowd Scenes: Movies and Mass Politics
The movies and the masses erupted on the world stage together. In a few decades around the turn of the twentieth century, millions of persons who rarely could afford a night at the theater and had never voted in an election became regular paying customers at movie palaces and proud members of new political parties. The question of how to represent these new masses fascinated and plagued politicians and filmmakers alike.
Movies seemed to speak directly to the masses, via a form of crowd psychology that bypassed individual personality. Many political commentators believed that movies were inherently aligned with the new forms of collectivist mass politics--indeed, government control of the movie industry became a cornerstone of Communist and Fascist regimes, new political movements that embraced the crowd as the basis of social order. Michael Tratner examines the representations of masses--the crowd scenes--in Hollywood films from The Birth of a Nation through such popular love stories as Gone with the Wind, The Sound of Music, and Dr. Zhivago. He then contrasts these with similar scenes in early Soviet and Nazi films. What emerges is a political debate being carried out in filmic style. In both sets of films, the crowd is represented as a seething cauldron of emotions. In Hollywood films, this is depicted as molding private loves, while collectivist movies present it as turning into organized mass movements. Crowd scenes do more than provide backgrounds for stories, that is: they also function as models for the crowd in the theater. The book concludes with an examination of the films of Fritz Lang, who first in pre-Nazi Germany, then in Hollywood, created movies that can be seen as meditations on both these ways of using the crowd.Earthborn Democracy
by Joel Alden Schlosser et al
Professor of Political Science and Fairbank Professorship in the Humanities
Ecological crises threaten all forms of life on earth. Democracy too is endangered, as popular discontent, elite malfeasance, and unresponsive institutions imperil its survival. Present political concepts have proven inadequate to meeting these challenges, and their inadequacies are themselves symptoms of the failures of prevailing political, cultural, and ecological stories and practices.
This book offers a new vision of ecological and participatory democratic life for a time of crisis. Identifying myth and ritual as key resources for contemporary politics, Earthborn Democracy excavates practices and narratives that illustrate the interdependence necessary to inspire ecological renewal. It tells stories of multispecies agency and egalitarian political organization across history, from ancient Mesopotamia and the precolonial Americas to contemporary social movements, emphasizing Indigenous traditions and resistance. Resonating across these practices and stories past and present is a belief that we are all--human as well as nonhuman--earthborn, and this can serve as the basis for reimagining democracy. Allying visionary political theory with environmental activism, Earthborn Democracy provides a foundation and a guide for collective action in pursuit of earthly flourishing.El mercado de la memoria
Friction
Terrorism is an extreme form of radicalization. In this ground-breaking and important book, Clark McCauley and Sophia Moskalenko identify and outline twelve mechanisms of political radicalization that can move individuals, groups, and the masses to increased sympathy and support for political violence.
Co-authored by two psychologists both acknowledged in their field as experts in radicalization and consultants to the Department of Homeland Security and other government agencies, Friction draws on wide-ranging case histories to show striking parallels between 1800s anti-czarist terrorism, 1970s anti-war terrorism, and 21st century jihadist terrorism. Altogether, the twelve mechanisms of political radicalization demonstrate how unexceptional people are moved to exceptional violence in the conflict between states and non-state challengers.
In this revised and expanded edition, McCauley and Moskalenko use the twelve mechanisms to analyze recent cases of lone-wolf terrorists and illustrate how individuals can become radicalized to jihadist violence with group influence or organizational support. Additionally, in the context of the Islamic State's worldwide efforts to radicalize moderate Muslims for jihad, they advance a model that differentiates radicalization in opinion from radicalization in action, and suggest different strategies for countering these diverse forms of radicalization. As a result, the authors conclude that the same mechanisms are at work in radicalizing both terrorists and states targeted by terrorists, implying that these conclusions are as relevant for policy-makers and security officers as they are for citizens facing the threat of terror today.
Glorious Bodies
by Colby Gordon
Associate Professor of Literatures in English