New & Noteworthy

Seven months ago, Edda was on the World War I front lines as one of two hundred "Hello Girls," female switchboard operators employed by the US Army. She spent her nights memorizing secret connection codes to stay ahead of spying enemies, and her days connecting vital calls between platoons and bases and generals, all trying to survive--and win--a brutal war. Their lives were in Edda's hands, and one day, in fateful seconds, everything went wrong.

Now, Edda is back in Washington, DC, working as an American Bell Telephone operator, the picture of respectability. But when her shift ends, Edda is barely hanging on, desperate to forget the circumstances that cut her time overseas short. When she receives a panicked phone call from someone who utters the fateful code word "Brightwood," Edda has no choice but to confront her past. With precious few clues and help only from Theo, a young man bearing his own WWI scars, Edda races to uncover what secrets may have followed her across the ocean.

Timely and unforgettable, The Brightwood Code sheds light on hidden history and the brutality of being a woman in a war built by men.

In 1898, a group of schoolboys in Bridgeport, Connecticut discovered gruesome packages under a bridge holding the dismembered remains of a young woman.

Finding that the dead woman had just undergone an abortion, prosecutors raced to establish her identity and fix blame for her death. Suspicion fell on Nancy Guilford, half of a married pair of "doctors" well known to police throughout New England.

A fascinated public followed the suspect's flight from justice, as many rooted for the fugitive. The Disquieting Death of Emma Gill takes a close look not only at the Guilfords, but also at the cultural shifts and social compacts that allowed their practice to flourish while abortion was both illegal and unregulated.

Focusing on the women at the heart of the story--both victim and perpetrator--Biederman reexamines this slice of history through a feminist lens and reminds us of the very real lives at stake when a woman's body and choices are controlled by others.

In this striking contribution to trans history, Colby Gordon challenges the prevailing assumption that trans life is a byproduct of recent medical innovation by locating a cultural imaginary of transition in the religious writing of the English Renaissance. Marking a major intervention in early modern gender studies, Glorious Bodies insists that transition happened, both socially and surgically, hundreds of years before the nineteenth-century advent of sexology. Pairing literary texts by Shakespeare, Webster, Donne, and Milton with a broad range of primary sources, Gordon examines the religious tropes available to early modern subjects for imagining how gender could change. From George Herbert's invaginated Jesus and Milton's gestational Adam to the ungendered "glorious body" of the resurrection, early modern theology offers a rich conceptual reservoir of trans imagery.

In uncovering early modern trans theology, Glorious Bodies mounts a critique of the broad consensus that secularism is a necessary precondition for trans life, while also combating contemporary transphobia and the right-wing Christian culture war seeking to criminalize transition. Developing a rehabilitative account of theology's value for positing trans lifeworlds, this book leverages premodern religion to imagine a postsecular transness in the present.

Beginning with a leaf to cup introduction, this book looks at the molecular makeup of different types of tea, discusses brewing and steeping, and the age-old question of when, or even whether, to add milk.