Bryn Mawr Authors
Roads of Bread
Science of Breakable Things
--Publishers Weekly A compassionate glimpse of mental illness accessible to a broad audience.
--Kirkus Reviews, STARRED REVIEW Holy moly!!! This book made me feel.
--Colby Sharp, editor of The Creativity Project, teacher, and cofounder of Nerdy Book Club
Scrittura, Riscrittura, Autoesegesi
by Roberta Ricci, Professor and Chair of Italian on the Andrew W. Mellon Foundation Chair in the Humanities
The idea of reflecting upon one’s own art is probably as old as literature itself and has its sense of participation in a wider literary tradition because it serves to overcome the medieval distinction between those who agunt de arte (the critics) and those who agunt per artem (the writers). Comments and marginalia written by authors as explanations of their own work add a new literary dimension to the richness of the text itself because this exegesis opens issues concerned with critical inquiry, questions of authorship and readership, and the complexity of reception. Such issues are especially relevant for the genre of the epic poem, which was authoritative and fertile through the centuries and yet also particularly problematic in the first centuries of the Italian language. This study examines the presence and connections of four different literary codes in two poems remarkable for their place within the cultural panorama of early-modern Italian literature: Boccaccio’s Teseida and Tasso’s Gerusalemme Liberata. In the history of the epics in Tuscan vernacular, Boccaccio’s public, prolix, and learned glosses written in the third person, on one hand, and Tasso’s private, complex, and ambivalent letters addressed to the intellectuals working at the Curia Romana, on the other, not only continue to raise philological, chronological, and theoretical issues connected to the genre par excellence, but also open a fruitful line of investigation on the authorial process of artistic invention and literary self-consciousness.
Sentient Archive
The Sentient Archive gathers the work of scholars and practitioners in dance, performance, science, and the visual arts. Its twenty-eight rich and challenging essays cross boundaries within and between disciplines, and illustrate how the body serves as a repository for knowledge. Contributors include Nancy Goldner, Marcia B. Siegel, Jenn Joy, Alain Platel, Catherine J. Stevens, Meg Stuart, André Lepecki, Ralph Lemon, and other notable scholars and artists.
Hardcover is un-jacketed.
Soul Support
Strange Eventful Histories
Student Debt
Systematic Reviews and Meta-Analysis
They Went Left
To Conquer Mr. Darcy
A sexy Jane Austen re-imagining by author Abigail Reynolds
What if...
Instead of disappearing from Elizabeth Bennet's life after she refused his offer of marriage, Mr. Darcy had stayed and tried to change her mind?
What if...
Lizzy, as she gets to know Darcy, finds him undeniably attractive and her impulses win out over her sense of propriety?
What if...
Madly in love and mutually on fire, their passion anticipates their wedding?
In To Conquer Mr. Darcy, instead of avoiding Elizabeth after his ill-fated marriage proposal, Mr. Darcy follows her back to Hertfordshire to prove to her he is a changed man and worthy of her love. And little by little, Elizabeth begins to find the man she thought she despised, irresistible...
Celebrate the 80th birthday of Regency Romance with great books from Sourcebooks Casablanca!Praise for To Conquer Mr. Darcy:
Shows a different side of Darcy, a bold side unafraid of going after what he wants. --Hollywood Today
Sure to appeal to fans of lusty historical romance. --Library Journal
Abigail Reynolds sure knows how to steam up a page! --A Readers Respite
If you always longed for Mr. Darcy to sweep Elizabeth off her feet, then this is your book! --I Just Finished Reviews