Bryn Mawr Authors

Kurimay explores how and why a series of illiberal Hungarian regimes came to regulate but also tolerate and protect queer life. She also explains how the precarious coexistence between the illiberal state and queer community ended abruptly at the close of World War II. A stunning reappraisal of sexuality's political implications, Queer Budapest recuperates queer communities as an integral part of Hungary's-and Europe's-modern incarnation.

Strip Tees is a fever dream of a memoir--Hunter S. Thompson meets Gloria Steinem--about a recent college graduate and what happens when her feminist ideals meet the real world.

At the turn of the new millennium, LA is the place to be. "Hipster" is a new word on the scene. Lauren Conrad is living her Cinderella story in the "Hills" on millions of television sets across the country. Paris Hilton tells us "That's hot" from behind the biggest sunglasses imaginable, while beautiful teenagers fight and fall in love on The O.C.

Into this most glittering of supposed utopias, Kate Flannery arrives with a Seven Sisters diploma in hand and a new job at an upstart clothing company called American Apparel. Kate throws herself into the work, determined to climb the corporate fashion ladder. Having a job at American Apparel also means being a part of the advertising campaigns themselves, stripping down in the name of feminism.
She slowly begins to lose herself in a landscape of rowdy sex-positivity, racy photo shoots, and a cultlike devotion to the unorthodox CEO and founder of the brand. The line between sexual liberation and exploitation quickly grows hazy, leading Kate to question the company's ethics and wrestle with her own.

Strip Tees captures a moment in our recent past that's already sepia toned in nostalgia, and also paints a timeless portrait of a young woman who must choose between what business demands and self-respect requires.

This book unseats magic realism as the dominant articulation of postcolonial resistance, by analyzing well-known postcolonial Indian authors of satire. Through the framework of Menippean satire, Postcolonial Satire argues that postcolonial literature can not only resist cultural and political influence, but establish new independent ideologies.

This is a revised critical edition of philosopher and scientist, Francesco Patrizi's manuscript, Il Delfino, overo del bacio (c.1555), with an English translation and commentary. Il Delfino, or 'The Kiss' survives in a single manuscript, compiled by an assistant and interspersed with autograph corrections by Patrizi himself. The only modern critical edition of the text, edited by Danilo Aguzzi Barbagli (1975), is known to contain many errors that prevent a correct understanding of the work. This book therefore fills this historiographical gap and at the same time provides a reliable text for further translations of Patrizi's work into other languages.