Bryn Mawr Authors

Hick is the story of Luli (Moretz), a bright kid from a hick town who's had enough and strikes out on her own with some "borrowed" cash, a .45 and her wits. On the road, Luli is taken under the wing of a glamorous young grifter named Glenda (Lively), who has experienced worlds barely imaginable to Luli. As the two make their way across the American landscape, they encounter a captivating and dangerous young man named Eddie Kreezer (Redmayne), a disturbing criminal subculture, and some hard truths about what it means to be a young woman on the run, grasping at a future.

Hick the movie is produced by Lighthouse Entertainment and Taylor Lane Productions, with Stone River Productions serving as executive producer.

Though its first-person narrating voice is fast-paced, powerful and unquestionably authentic, Hick is a debut novel.

Beyond this voice, what makes the book so extraordinary is that, although all of the worst things imaginable do befall this 13-year-old girl, she is never defeated by them. Luli always fights back; she always resurfaces.

Set as a coming-of-age novel, Hick tracks the real perils that modern teenagers so often face. And it does so with bright wit, energy, and an indomitable spirit.

This is a book that will grab the reader from the first page and not let go.

And it is written by a woman who is becoming a cultural force in the hippest parts of Los Angeles.

This book establishes the profound significance of MGM's 1940 film The Mortal Storm, the first major Hollywood production to depict the plight of Jews in Germany before the Holocaust.

Based on Phyllis Bottome's best seller, also titled The Mortal Storm, the film was made amidst the bitter debate that occurred between 1938 and 1941 over whether the United States should involve itself in another European war or remain an isolationist country, as Charles Lindbergh among others urged.

In 1941, the film triggered the first hostile Congressional investigation of Hollywood where the studios were accused of allegedly propagandizing for war. Lindbergh had secretly urged the Hollywood hearings, inspired by his own growing antisemitism, as his unpublished diary reveals. Hollywood studios, in turn, regarded the growing European crisis with ambivalence. They feared being accused in a film like The Mortal Storm of using the movies to represent the fate of Europe's imperiled Jews. Louis B. Mayer, the head of MGM, insisted the word "Jew" be removed from the film and "non-Aryan" be used instead, hoping to confuse American audiences about the film's real intent.

Jimmy Stewart, who starred in the film, took it on the road to urge American aid to Britain, while Lindbergh prepared his own campaign to denounce American Jews for luring the country into war. The book reveals how closely Hollywood and politics were entwined on the eve of war. It also reveals how closely the plight of Europe's Jews and American antisemitism were entwined at the same time.

When eighth grader and aspiring journalist Indigo breaks an important story, exposing an unfair school policy, she's suddenly popular for the first time.

The friends who've recently drifted away from her want to hang out again. Then Indigo notices that the school's disciplinary policies seem to be enforced especially harshly with students of color, like her. She wants to keep investigating, but her friends insist she's imagining things.

Meanwhile, Indigo stumbles upon a book by Black journalist and activist Ida B. Wells--with private letters written by Ida tucked inside. As she reads about Ida's lifelong battle against racism, Indigo realizes she must choose between keeping quiet and fighting for justice.