Bryn Mawr Authors

A wily young thief must use her wits to survive futuristic, alternate history Beijing in this Les Misérables-inspired young adult cyberpunk "fast-paced heist [that] balances lofty ideals of change with snappy dialogue and pulse-pounding action" (Publishers Weekly).

When Zhong Ning'er takes the job, she expects a smash-and-grab burglary she's doing to make rent and help out a friend. What she doesn't expect: a sad-eyed army boy who dreams of insurrection, a former rebel leader trapped inside a secret lab, a group of aspiring revolutionaries who are first collaborators, then compatriots, and then, perhaps, friends.

But this is Beijing, nearly a hundred and fifty years after General Yuan Shikai successfully declared himself emperor in 1915. His descendants rule the country from their seat in the imperial city, their gendarmerie--the Beiyang Army--run the streets, aided by cyborgs and the Brocade Guard. Walls have risen, dividing the city into districts called Rings--nominally only by geography, but in truth by class. Earthquakes devastate the northern farmlands, crops drown in the southern typhoons, and all over the country people are hooked on a drug they call Complacency.

As a Sixth Ring girl who watched previous uprisings crushed brutally by the court, Ning'er isn't much of an optimist, and she's certainly no revolutionary. But that might not be up to her--as the stakes get higher, the time for passivity is quickly running out, and she must decide if she wants to sit idly in her cynicism, or embrace the breathless, terrible possibility of hope.

Winner of 2022 Sappho's Prize in Poetry

Late Epistle is a rare first book, one that radiates all the pleasures of poetry-sound, form, and figurative language, among others-but also one that evidences a life transformed by discovery. Read and marvel at Anne Myles's prowess, then read again to be forever changed by her vulnerability and depth of feeling. This "dark and lustrous" book permits entry into the "not-yet-known" with miraculous clarity.
-Natasha Sajé, author of The Future Will Call You Something Else

A sensual imagination informs these poems with startling images and line turns that astonish. I love the childhood narratives, the family sadnesses and secrets revealed, the tender, wise observations. Formally inventive, the poems that showcase a woman-loving-woman anchor the speaker in a story of self-invention and a sustainable life.
-Robin Becker, author of The Black Bear Inside Me

Muriel Rukeyser asks, "What would happen if one woman told the truth about her life?" In this candid, emphatically visceral collection, Anne Myles speaks her truth with unflinching ardency, astonishing the reader with poems that are both masterfully crafted and strikingly forthright. Reading this book, I experienced the pure delight of a strongly female voice claiming its identity and purpose.
-Martha Silano, author of Gravity Assist

In Late Epistle, Anne Myles has given us a thoughtful and moving account of her journey to become a poet, singing in a voice (Athena-like, sprung fully formed) that is lyrical and tender, honest and unsparing. In poems of family, loss, love, grief, and the ongoing quest to find and express the true self, the deep intelligence of the work shines through in evocative imagery, lovely language, and subtle yet effective uses of form.
-Moira Egan, author of Amore e morte

On April 15, 2018, seven prisoners were slaughtered and twenty-two seriously injured during a prison riot in South Carolina. This incident, prison conditions and mass incarceration were the inspiration for this book, Letters to Our Sons, which represents five years of research. Authors Dawn Simmons and Heru Mossiah Maat collaborated with over 80 prisoners from behind the steel fences of maximum security prisons in South Carolina and throughout the United States. These prisoners have "stepped up" in an effort to bring awareness to the mass incarceration of our youth in the United States of America. From their personal and collective experience, they use powerful heart-wrenching candid narratives to highlight that prison is a place of mental destruction, violence, poor living conditions and poor quality food. These incarcerated men also acknowledge that more adult males and teenage boys enter the prison system than those who enter college as well as lament that young men enter the prison system by the truck loads as if there were no other options. In response, these prisoners who are convicted burglars, drug dealers, rapists and murderers from diverse backgrounds hope to make a positive difference by telling their story.

Dawn Simmons and Heru Mossiah Maat have written a must read, tell all book. Letters to Our Sons describes the circumstances that have led many men to prison, the prison living conditions, and the frustration and dehumanization, which breeds violence within prison walls. For further insights about the current prison system, criminal justice activists, former and current correctional staff, and police officers provided their narratives, opinions and advice especially about hope for the future. Through infographics, research and essays, the book will educate readers about the truths of prison life.

In Letters to Our Sons, over 80 prisoners found the strength and courage to reveal their true wisdom and vulnerability in order to change the direction of future criminal justice and prison legislation. Most importantly, they hope to intervene in our children's lives before it is too late.

Unique empirically grounded analysis of how audiences negotiate sexism and feminism across media, from popular television shows to dating apps.

Feminism can reflect the cultural moment, especially as media appropriate and use feminist messaging and agenda to various ends. Yet media can also push boundaries, exposing audiences to ideas they may not be familiar with and advancing public acceptance of concepts once considered taboo. Moreover, audiences are far from passive recipients, especially in the digital age. In Media-Ready Feminism and Everyday Sexism, Andrea L. Press and Francesca Tripodi focus on how audiences across platforms not only consume but also create meanings-sometimes quite transgressive meanings-in engaging with media content. If television shows such as Game of Thrones and Jersey Shore and dating apps such as Tinder are sites of persistent everyday sexism, then so, too, are they sites of what Press and Tripodi call "media-ready feminism." In developing a sociologically based conception of reception that encompasses media's progressive potential, as well as the processes of domestication through which audiences and users revert to more limited cultural schemas, Press and Tripodi make a vital contribution to gender and media studies, and help to illuminate the complexity of our current moment.