Bryn Mawr Authors
Breathing Technique
Cooking Data
Crowd Scenes: Movies and Mass Politics
The movies and the masses erupted on the world stage together. In a few decades around the turn of the twentieth century, millions of persons who rarely could afford a night at the theater and had never voted in an election became regular paying customers at movie palaces and proud members of new political parties. The question of how to represent these new masses fascinated and plagued politicians and filmmakers alike.
Movies seemed to speak directly to the masses, via a form of crowd psychology that bypassed individual personality. Many political commentators believed that movies were inherently aligned with the new forms of collectivist mass politics--indeed, government control of the movie industry became a cornerstone of Communist and Fascist regimes, new political movements that embraced the crowd as the basis of social order. Michael Tratner examines the representations of masses--the crowd scenes--in Hollywood films from The Birth of a Nation through such popular love stories as Gone with the Wind, The Sound of Music, and Dr. Zhivago. He then contrasts these with similar scenes in early Soviet and Nazi films. What emerges is a political debate being carried out in filmic style. In both sets of films, the crowd is represented as a seething cauldron of emotions. In Hollywood films, this is depicted as molding private loves, while collectivist movies present it as turning into organized mass movements. Crowd scenes do more than provide backgrounds for stories, that is: they also function as models for the crowd in the theater. The book concludes with an examination of the films of Fritz Lang, who first in pre-Nazi Germany, then in Hollywood, created movies that can be seen as meditations on both these ways of using the crowd.DaVinci's Cat
"Thoroughly charming."--Kirkus Reviews (starred review)
"Original."--Booklist (starred review)
A story about selflessness, friendship and the importance of seeking unity through difference.--Shelf Awareness (starred review)
Two unlikely friends--Federico, in sixteenth-century Rome, and Bee, in present-day New Jersey--are linked through an amiable cat, Leonardo Da Vinci's mysterious wardrobe, and an eerily perfect sketch of Bee. Newbery Honor author Catherine Gilbert Murdock's Da Vinci's Cat is a thrilling, time-slip fantasy about rewriting history to save the present. This inventive novel will engross anyone who loved When You Reach Me and A Wrinkle in Time.
Federico doesn't mind being a political hostage in the Pope's palace, especially now that he has a cat as a friend. But he must admit that a kitten walking into a wardrobe and returning full-grown a moment later is quite odd. Even stranger is Herbert, apparently an art collector from the future, who emerges from the wardrobe the next night. Herbert barters with Federico to get a sketch signed by the famous painter Raphael, but his plans take a dangerous turn when he hurries back to his era, desperate to save a dying girl.
Bee never wanted to move to New Jersey. When a neighbor shows Bee a sketch that perfectly resembles her, Bee, freaked out, solidifies her resolve to keep to herself. But then she meets a friendly cat and discovers a mysterious cabinet in her neighbor's attic--a cabinet that leads her to Renaissance Rome. Bee, who has learned about Raphael and Michelangelo in school, never expected she'd get to meet them and see them paint their masterpieces.
This compelling time-slip adventure by Newbery Honor author Catherine Gilbert Murdock is full of action, mystery, history, art, and friendship--and features one unforgettable cat.
Includes black-and-white spot art throughout of Da Vinci's cat by Caldecott Medalist Paul O. Zelinsky, as well as an author's note about the art, artists, and history that inspired the novel .
Elmali-Karatas I: The Neolithic and Chalcolithic Periods
Elmali-Karatas II: The Early Bronze Age Village of Karatas
Everburning Pilot
A bilingual edition of Leonid Schwab's poetry with an introduction by Maria Stepanova.
Leonid Schwab is an integral figure for the understanding of Russian contemporary poetry; he's also one of its least conforming members. While remaining singularly unique, Schwab has had a liberating effect on a number of Russophone poets during the past two decades. In his strange poems, elimination of the lyric subject and heightened narrativity unite with masterfully measured lines to create worlds that remain perpetually beguiling.
The verses trace the contours of something along the lines of happiness, they delineate its momentary trajectories, indicate the direction--until a new shift exposes the next, still uninhabited tract of invisible territory. This strange, dazzling, twilit universe--inhabited by bison, electricians, and short circuits--is something like a promise that you cannot not believe: Schwab knows what he's talking about.--Maria Stepanova
Borges tells of imperial cartographers attempting to construct a map of the empire that was the size of the empire. Discolored tatters of the abandoned project still exist in the desert; beggars and animals live in them. He might have been talking about the poetry of Leonid Schwab. Schwab's astonishing semilegible living pictures, poetic tatters of imperial dreams, studies in slowed-down, polyphonic time, remnants of an unwritable, strangely male epic are among the most hauntingly beautiful poems written in Russian today. I love them but I could never set them to music, a composer friend says, 'they are music'--Eugene Ostashevsky
Leonid Schwab is a poet who creates worlds that oscillate between past and present, stillness and passage, mystery and nightmare. His poems travel far and wide, taking the reader on unexpected visits to Chkalov, Hebron, Chicago, Poland, Manchuria, and even the Moon. Schwab's poetry transcends rigid cultural frames and national allegiances by engaging in dynamic experiments with border-crossing, diasporic aesthetics, and homelessness.--Alex Moshkin
Poetry.
Fire Is Not a Country
Five Brain Leadership
Lead smarter. A handbook for your brain at work.
High pressure. High conflict. High stress. Today, too many leaders believe that these states are not just natural, but inevitable. Nothing could be further from the truth.
Using his skills as a medical doctor and his knowledge from many years in executive positions in the biotech pharmaceutical industry, in Five Brain Leadership, executive coach Carlos Davidovich walks you through the latest breakthroughs in the burgeoning fields of neuroscience, epigenetics, and cognitive behavior to help you better understand your multilayered, magical mind, and how to work with it instead of against it in leading your team and building relationships.
Neuromanagement is at the intersection of neuroscience and daily life in the business world. It is leadership that is based on a full understanding of all five of our interlocking brains-our reptilian, emotional, rational, and, yes, even our heart and gut "brains." Through practical tools and exercises, you'll learn how to build your capacity in each of these control centers, and to recognize all the ways they are at play in how humans operate, interrelate, and react to change.
Five-Brain Leadership is your pathway toward turning good leadership into great leadership, and reaching new levels of success in all of life's domains.
Freedom Year
AN EXPLORATION OF POWER.
At 21, Sofia Wren realizes that she is a total doormat. Her boss steals money from her. She gets her heart broken too many times. But when she starts losing friends because she is so passive, it really gets real. What is she doing wrong?
Sofia is ready to do just about anything to finally master being a "strong, independent woman" in real life, when her best friend suggests she try being more dominant and meet men who will not only give her all the power, but also clean her kitchen, treat her like a goddess, and give her endless pleasure for free.
As she pursues power, Sofia struggles once more to be and act like the best possible version of herself. How can she become a strong, empowered woman and get what the good girl inside of her wants-without going too far? What is a strong woman, exactly? And if the aim is to "be herself," then who is she really?
Whatever she's doing, it's not working and something has to change.In this coming-of-age story and memoir, Sofia Wren recounts the events during a pivotal year that awakened a new understanding of what true freedom and power look like.