Bryn Mawr Authors

This fall, the film festival circuit will be introduced to the indomitable Luli McMullen in Hick, the new film made from the acclaimed novel by Andrea Portes, who also adapted the screenplay. The film--directed by Derick Martini--stars Chloë Grace Moretz, Blake Lively and Eddie Redmayne and features Rory Culkin, Anson Mount, Juliette Lewis and Alec Baldwin in supporting roles.

Hick is the story of Luli (Moretz), a bright kid from a hick town who's had enough and strikes out on her own with some "borrowed" cash, a .45 and her wits. On the road, Luli is taken under the wing of a glamorous young grifter named Glenda (Lively), who has experienced worlds barely imaginable to Luli. As the two make their way across the American landscape, they encounter a captivating and dangerous young man named Eddie Kreezer (Redmayne), a disturbing criminal subculture, and some hard truths about what it means to be a young woman on the run, grasping at a future.

Hick the movie is produced by Lighthouse Entertainment and Taylor Lane Productions, with Stone River Productions serving as executive producer.

Though its first-person narrating voice is fast-paced, powerful and unquestionably authentic, Hick is a debut novel.

Beyond this voice, what makes the book so extraordinary is that, although all of the worst things imaginable do befall this 13-year-old girl, she is never defeated by them. Luli always fights back; she always resurfaces.

Set as a coming-of-age novel, Hick tracks the real perils that modern teenagers so often face. And it does so with bright wit, energy, and an indomitable spirit.

This is a book that will grab the reader from the first page and not let go.

And it is written by a woman who is becoming a cultural force in the hippest parts of Los Angeles.

Since the start of the Trump era, the United States and the Western world has finally begun to wake up to the threat of online warfare and the attacks from Russia. The question no one seems to be able to answer is: what can the West do about it?

Central and Eastern European states, however, have been aware of the threat for years. Nina Jankowicz has advised these governments on the front lines of the information war. The lessons she learnt from that fight, and from her attempts to get US congress to act, make for essential reading.

How to Lose the Information War takes the reader on a journey through five Western governments' responses to Russian information warfare tactics - all of which have failed. She journeys into the campaigns the Russian operatives run, and shows how we can better understand the motivations behind these attacks and how to beat them. Above all, this book shows what is at stake: the future of civil discourse and democracy, and the value of truth itself.

The subject of In the Frame is poetic ekphrasis: poems whose starting point or source of inspiration is a work of visual art. The authors of these sixteen essays, several of whom are poets as well as critics, have a twofold purpose: calling attention to the contribution women poets have made to this important genre of poetic writing and re-thinking ekphrastic poetry's motives and purposes. From Marianne Moore and Elizabeth Bishop to Mary Jo Salter, C. D. Wright, and Susan Wheeler, many of our best women poets have done important work in this genre, and when they describe, confront, or speak for an image that is itself wordless, their motives are not only formal but aesthetic. Their poems also raise important questions, from a perspective that is often, but not always, gender-inflected about how art is made and displayed, experienced and valued, celebrated and commodified. Jane Hedley is K. Laurence Stapleton Professor of English at Bryn Mawr College. Willard Spiegelman is the Hughes Professor of English at Southern Methodist University, and editor-in-chief of the Southwest Review. Nick Halpem is an associate professor in the English Department at North Carolina State University.

Joey went into the foster care system at age 7. He was separated from his mother, sister, cousin, aunt, and his stuffed animal "Buddy." After three foster homes, he found a permanent foster home where he remained until he went to college. He was able to take care of a real dog whom he named "Buddy" and who moved with him into that home. Despite all the difficulties, he thrived!