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Why does race seem to color almost every feature of our moral and political universe? Why does a perpetual cycle of slavery--in all its political, intellectual, and cultural forms--continue to define the Black experience? And why is anti-Black violence such a predominant feature not only in the United States but around the world? These are just some of the compelling questions that animate Afropessimism, Frank B. Wilderson III's seminal work on the philosophy of Blackness.

Combining precise philosophy with a torrent of memories, Wilderson presents the tenets of an increasingly prominent intellectual movement that sees Blackness through the lens of perpetual slavery. Drawing on works of philosophy, literature, film, and critical theory, he shows that the social construct of slavery, as seen through pervasive anti-Black subjugation and violence, is hardly a relic of the past but the very engine that powers our civilization, and that without this master-slave dynamic, the calculus bolstering world civilization would collapse. Unlike any other disenfranchised group, Wilderson argues, Blacks alone will remain essentially slaves in the larger Human world, where they can never be truly regarded as Human beings, where, "at every scale of abstraction, violence saturates Black life."

And while Afropessimism delivers a formidable philosophical account of being Black, it is also interwoven with dramatic set pieces, autobiographical stories that juxtapose Wilderson's seemingly idyllic upbringing in mid-century Minneapolis with the abject racism he later encounters--whether in late 1960s Berkeley or in apartheid South Africa, where he joins forces with the African National Congress. Afropessimism provides no restorative solution to the hatred that abounds; rather, Wilderson believes that acknowledging these historical and social conditions will result in personal enlightenment about the reality of our inherently racialized existence.

Radical in conception, remarkably poignant, and with soaring flights of lyrical prose, Afropessimism reverberates with wisdom and painful clarity in the fractured world we inhabit. It positions Wilderson as a paradigmatic thinker and as a twenty-first-century inheritor of many of the African American literary traditions established in centuries past.

This collection of crime for bibliophiles includes stories about rare books, bookshops, libraries, manuscripts, magical books, and collectors. Ian Rankin sets his tale of the lost original manuscript of Dr. Jekyll and Mr. Hyde in the legendary Shakespeare & Co., while F. Paul Wilson offers a book with remarkable powers. Joyce Carol Oates portrays an overly ambitious dealer in mystery fiction, while James Grady has the "Condor" working in the Library of Congress. Stephen Hunter tells a previously unknown story of Alan Turing set during World War I--involving a book that could change the history of the world--and Peter Lovesey writes about a box full of Agatha Christie titles that just may be priceless. Carolyn Hart's story is about an astonishing inscription in a book, while Megan Abbott and Denise Mina add their Edgar-nominated stories to this stellar collection.