Clearance

The 2020 presidential primaries are on the horizon and this third edition of Elaine Kamarck's Primary Politics will be there to help make sense of them. Updated to include the 2016 election, it will once again be the guide to understanding the modern nominating system that gave the American electorate a choice between Donald Trump and Hilary Clinton.

In Primary Politics, political insider Elaine Kamarck explains how the presidential nomination process became the often baffling system we have today, including the "robot rule." Her focus is the largely untold story of how presidential candidates since the early 1970s have sought to alter the rules in their favor and how their failures and successes have led to even more change. She describes how candidates have sought to manipulate the sequencing of primaries to their advantage and how Iowa and New Hampshire came to dominate the system. She analyzes the rules that are used to translate votes into delegates, paying special attention to the Democrats' twenty-year fight over proportional representation and some of its arcana.

Drawing on meticulous research, interviews with key figures in both parties, and years of experience, this book explores one of the most important questions in American politics--how we narrow the list of presidential candidates every four years.

Aesop was a slave and fantastic storyteller who lived in ancient Greece around 620-564 BC. No writings by him exist (if they ever existed at all), yet his tales have survived and been shared through oral tradition around the world. In many stories, he uses animals as the main characters to convey deeper meanings and morals that still ring true today.

A Novel Journal: Aesop's Fables infuses new life into these classic tales by inviting writers to pen their own stories and ideas between the lines of the fables. In a type so tiny as to nearly disappear, the entire text of Aesop's Fables forms the lines of this journal. Perfect for daily journaling or drafting the next classic, this homage to Aesop's work adds an element of excitement to any writing project.

Packaged with a Svepa cover, brilliant endpapers, colored edges, and matching elastic band to close pages tight, this book is a great gift or collectible for anyone who loves fables. And the compact size makes this journal easy to slip into a purse, briefcase, or backpack so you can record and revisit your thoughts on the go.

Why does race seem to color almost every feature of our moral and political universe? Why does a perpetual cycle of slavery--in all its political, intellectual, and cultural forms--continue to define the Black experience? And why is anti-Black violence such a predominant feature not only in the United States but around the world? These are just some of the compelling questions that animate Afropessimism, Frank B. Wilderson III's seminal work on the philosophy of Blackness.

Combining precise philosophy with a torrent of memories, Wilderson presents the tenets of an increasingly prominent intellectual movement that sees Blackness through the lens of perpetual slavery. Drawing on works of philosophy, literature, film, and critical theory, he shows that the social construct of slavery, as seen through pervasive anti-Black subjugation and violence, is hardly a relic of the past but the very engine that powers our civilization, and that without this master-slave dynamic, the calculus bolstering world civilization would collapse. Unlike any other disenfranchised group, Wilderson argues, Blacks alone will remain essentially slaves in the larger Human world, where they can never be truly regarded as Human beings, where, "at every scale of abstraction, violence saturates Black life."

And while Afropessimism delivers a formidable philosophical account of being Black, it is also interwoven with dramatic set pieces, autobiographical stories that juxtapose Wilderson's seemingly idyllic upbringing in mid-century Minneapolis with the abject racism he later encounters--whether in late 1960s Berkeley or in apartheid South Africa, where he joins forces with the African National Congress. Afropessimism provides no restorative solution to the hatred that abounds; rather, Wilderson believes that acknowledging these historical and social conditions will result in personal enlightenment about the reality of our inherently racialized existence.

Radical in conception, remarkably poignant, and with soaring flights of lyrical prose, Afropessimism reverberates with wisdom and painful clarity in the fractured world we inhabit. It positions Wilderson as a paradigmatic thinker and as a twenty-first-century inheritor of many of the African American literary traditions established in centuries past.

Vivid explorations of cryogenics, lion baiting, iDollators, dodo birds, SpaceX, and more populate The Art of Perpetuation, a poignant new collection of lyric essays from Alison Powell that troubles the boundaries between human and animal, living and dead, man and woman, adult and child. These nine whip-smart essays juxtapose personal narrative-memories of the author's childhood growing up in southern Indiana and experiences as a mother of two-with scientific, historical, and cultural narrative. Throughout the collection, Powell seeks to unearth, to peel back, to lay bare: "To pry something out of someone, the meat of a walnut from its enamel-like shell, is an excavation-to uncover a lie, an infidelity." Dizzying, fragmentary, and provocative, Powell's lyrical investigations dig in deep, coming up for air only to expose the meaningless of naming in a world obsessed with self-perpetuation. "To say a poem is like a body is to say one's self is a machine. To say a body is erasable is to say extinction is a temperate clicking.... And like that, with one hand on the glass and one gloved hand inside the mouth of the woolly rhino, you have done it."