Clearance Books

Why does race seem to color almost every feature of our moral and political universe? Why does a perpetual cycle of slavery--in all its political, intellectual, and cultural forms--continue to define the Black experience? And why is anti-Black violence such a predominant feature not only in the United States but around the world? These are just some of the compelling questions that animate Afropessimism, Frank B. Wilderson III's seminal work on the philosophy of Blackness.

Combining precise philosophy with a torrent of memories, Wilderson presents the tenets of an increasingly prominent intellectual movement that sees Blackness through the lens of perpetual slavery. Drawing on works of philosophy, literature, film, and critical theory, he shows that the social construct of slavery, as seen through pervasive anti-Black subjugation and violence, is hardly a relic of the past but the very engine that powers our civilization, and that without this master-slave dynamic, the calculus bolstering world civilization would collapse. Unlike any other disenfranchised group, Wilderson argues, Blacks alone will remain essentially slaves in the larger Human world, where they can never be truly regarded as Human beings, where, "at every scale of abstraction, violence saturates Black life."

And while Afropessimism delivers a formidable philosophical account of being Black, it is also interwoven with dramatic set pieces, autobiographical stories that juxtapose Wilderson's seemingly idyllic upbringing in mid-century Minneapolis with the abject racism he later encounters--whether in late 1960s Berkeley or in apartheid South Africa, where he joins forces with the African National Congress. Afropessimism provides no restorative solution to the hatred that abounds; rather, Wilderson believes that acknowledging these historical and social conditions will result in personal enlightenment about the reality of our inherently racialized existence.

Radical in conception, remarkably poignant, and with soaring flights of lyrical prose, Afropessimism reverberates with wisdom and painful clarity in the fractured world we inhabit. It positions Wilderson as a paradigmatic thinker and as a twenty-first-century inheritor of many of the African American literary traditions established in centuries past.

Vivid explorations of cryogenics, lion baiting, iDollators, dodo birds, SpaceX, and more populate The Art of Perpetuation, a poignant new collection of lyric essays from Alison Powell that troubles the boundaries between human and animal, living and dead, man and woman, adult and child. These nine whip-smart essays juxtapose personal narrative-memories of the author's childhood growing up in southern Indiana and experiences as a mother of two-with scientific, historical, and cultural narrative. Throughout the collection, Powell seeks to unearth, to peel back, to lay bare: "To pry something out of someone, the meat of a walnut from its enamel-like shell, is an excavation-to uncover a lie, an infidelity." Dizzying, fragmentary, and provocative, Powell's lyrical investigations dig in deep, coming up for air only to expose the meaningless of naming in a world obsessed with self-perpetuation. "To say a poem is like a body is to say one's self is a machine. To say a body is erasable is to say extinction is a temperate clicking.... And like that, with one hand on the glass and one gloved hand inside the mouth of the woolly rhino, you have done it."

Recommended by Jason Reynolds on PBS News Hour

"(D)on't think for one minute that Black Imagination is easy. As you will read here, it is hard-earned and sometimes dangerous, but it's necessary, and radical, to claim and work towards. Listening to my people in this book gave me so much life, and I'm pretty sure, dear reader, you're in for the same." --from the Foreword by Steven Dunn

What is your origin story?
How do you heal yourself?
Imagine a world where you are loved, safe, and valued.

"Witnessing is sacred work too. Seeing ourselves as whole and healthy is an act of pure rebellion in a world so titillated by our constant subjugation," reflects viral curator Natasha Marin, on Black Imagination. This dynamic collection of Black voices works like an incantation of origin, healing, and imagination. Born from a series of conceptual art exhibitions, the perspectives gathered here are no where near monochromatic. "Craving nuance over stereotype, we sought out black children, black youth, LGBTQ+ black folks, unsheltered black folks, incarcerated black folks, neurodivergent black folks, as well as differently-abled black folks." Each insists on their own variance and challenges every reader to witness for themselves that Black Lives (and Imaginations) Matter.

A first step toward freeing ourselves.

--Gloria Steinem

I've never felt the physical feeling of pages melting in my hands or chapters folding themselves into squadrons of black airplanes flying to freedom because I've never experienced an art object like Black Imagination.

--Kiese Laymon, author of Heavy

"Black Imagination required Natasha Marin to curate as a curate in the medieval sense-- a spiritual guide that cares for souls... We are challenged to move beyond the abject, beyond pure pessimism, on the wings of a different criticality... 'visioning a world where none is lonely, none hunted, alien'."

--Christian Campbell, author of Running the Dusk

Defiantly hopeful... think Soul Train Line, think The Stroll, think the joyous striving with language for the possibilities of safety and hope."

--Kwame Dawes, author of Nebraska