Clearance Books

The arsons started on a cold November midnight and didn't stop for months. Night after night, the people of Accomack County waited to see which building would burn down next, regarding each other at first with compassion, and later suspicion. Vigilante groups sprang up, patrolling the rural Virginia coast with cameras and camouflage. Volunteer firefighters slept at their stations. The arsonist seemed to target abandoned buildings, but local police were stretched too thin to surveil them all. Accomack was desolate--there were hundreds of abandoned buildings. And by the dozen they were burning.

The culprit, and the path that led to these crimes, is a story of twenty-first century America. Washington Post reporter Monica Hesse first drove down to the reeling county to cover a hearing for Charlie Smith, a struggling mechanic who upon his capture had promptly pleaded guilty to sixty-seven counts of arson. But as Charlie's confession unspooled, it got deeper and weirder. He wasn't lighting fires alone; his crimes were galvanized by a surprising love story. Over a year of investigating, Hesse uncovered the motives of Charlie and his accomplice, girlfriend Tonya Bundick, a woman of steel-like strength and an inscrutable past. Theirs was a love built on impossibly tight budgets and simple pleasures. They were each other's inspiration and escape...until they weren't.

Though it's hard to believe today, one hundred years ago Accomack was the richest rural county in the nation. Slowly it's been drained of its industry--agriculture--as well as its wealth and population. In an already remote region, limited employment options offer little in the way of opportunity. A mesmerizing and crucial panorama with nationwide implications, American Fire asks what happens when a community gets left behind. Hesse brings to life the Eastern Shore and its inhabitants, battling a punishing economy and increasingly terrified by a string of fires they could not explain. The result evokes the soul of rural America--a land half gutted before the fires even began.

The poems in this powerful first book have grown from the American urban experience of the last half of this century, a time of decay and diminishing possibilities; they vary from realistic vignettes of working-class Chicago neighborhoods to prose poems elegant and spare in their surrealism. At the middle of this book and at the thematic center of the collection is Dybek's remarkable reworking of the myth of Persephone, in which the American goddess learns to prefer the underworld and has fallen in love with Death.

Lone of the most celebrated historical magistrates was Judge Dee, who lived in the seventh century A.D. This book, written in the eighteenth century by a person well versed in the Chinese legal code, chronicles three of Judge Dee's most celebrated cases, interwoven to form a novel. A double murder among traveling merchants, the fatal poisoning of a bride on her wedding night, an unsolved murder in a small town under Judge Dee's jurisdiction - these are the crimes. They take Judge Dee up and down the great silk routes, through clever disguises, into ancient graveyards where he consults the spirits of the dead, and through some clever deduction.

When artists and artisans can't make a living, the health of America's culture is at risk

Change is no stranger to us in the twenty-first century. We must constantly adjust to an evolving world, to transformation and innovation. But for many thousands of creative artists, a torrent of recent changes has made it all but impossible to earn a living. A persistent economic recession, social shifts, and technological change have combined to put our artists--from graphic designers to indie-rock musicians, from architects to booksellers--out of work. This important book looks deeply and broadly into the roots of the crisis of the creative class in America and tells us why it matters.

Scott Timberg considers the human cost as well as the unintended consequences of shuttered record stores, decimated newspapers, music piracy, and a general attitude of indifference. He identifies social tensions and contradictions--most concerning the artist's place in society--that have plunged the creative class into a fight for survival. Timberg shows how America's now-collapsing middlebrow culture--a culture once derided by intellectuals like Dwight Macdonald--appears, from today's vantage point, to have been at least a Silver Age. Timberg's reporting is essential reading for anyone who works in the world of culture, knows someone who does, or cares about the work creative artists produce.