Clearance Books

Unique empirically grounded analysis of how audiences negotiate sexism and feminism across media, from popular television shows to dating apps.

Feminism can reflect the cultural moment, especially as media appropriate and use feminist messaging and agenda to various ends. Yet media can also push boundaries, exposing audiences to ideas they may not be familiar with and advancing public acceptance of concepts once considered taboo. Moreover, audiences are far from passive recipients, especially in the digital age. In Media-Ready Feminism and Everyday Sexism, Andrea L. Press and Francesca Tripodi focus on how audiences across platforms not only consume but also create meanings-sometimes quite transgressive meanings-in engaging with media content. If television shows such as Game of Thrones and Jersey Shore and dating apps such as Tinder are sites of persistent everyday sexism, then so, too, are they sites of what Press and Tripodi call "media-ready feminism." In developing a sociologically based conception of reception that encompasses media's progressive potential, as well as the processes of domestication through which audiences and users revert to more limited cultural schemas, Press and Tripodi make a vital contribution to gender and media studies, and help to illuminate the complexity of our current moment.

Sarah Holloway is a frustrated painter, sketching on the backs of shopping lists and sharing her studio with a washer and dryer. Abandoned by her mother, she has tried to hide her childhood wounds by healing others through art therapy. During her daughter's first two years, she has faked her way through motherhood with the help of women in her neighborhood playgroup. She hopes she has gotten the hang of it when she learns she is expecting another child. Then, a routine test reveals a mysterious mass in her unborn baby's abdomen. The sonogram awakens an old fear that her children have inherited her damage--and uncovers a secret that could end her marriage.

The contributors of this anthology make up a wide spectrum of South Africans: black, white, men and women, established and budding who write in either English or Afrikaans. Among these are writers who began their careers in the fifties (George Weideman), to those who were active in the black consciousness period of the seventies (Achmat Dangor, Chris van Wyk, Maropodi Mapalakanye) through to writers who first appeared in print in the eighties and nineties (Rayda Jacobs, Finuala Dowling, Zachariah Raphola, Roshila Nair, Roy Blumenthal, Allan Kolski Horwitz).

While many of the writers in this anthology have established themselves as poets, novelists, dramatists and oral storytellers, they all choose the short story as another means of expressing a diverse South Africa of rural and urban life, white suburbia, black township, childhood, love, hate, reconciliation, the grim as well as the funny that make up the tapestry of a country as it used to be and as it is today.

"Punks is utterly brilliant ... Keene's masterfully inventive inquiry of self and history is queered, Blackened and joyously thick with multitudes of voice and valence." --Tyehimba Jess

A landmark collection of poetry by acclaimed fiction writer, translator and MacArthur Fellow John Keene, Punks: New & Selected Poems is a generous treasury in seven sections that spans decades and includes previously unpublished and brand new work. With depth and breadth, Punks weaves together historic narratives of loss, lust, and love. The many voices that emerge in these poems--from historic Black personalities, both familial and famous, to the poet's friends and lovers in gay bars and bedrooms--form a cast of characters capable of addressing desire, oppression, AIDS and grief through sorrowful songs that "we sing as hard as we live." At home in countless poetic forms, Punks reconfirms John Keene as one of the most important voices in contemporary poetry. This collection was the 2022 winner of the National Book Award for Poetry, the Thom Gunn Award for Gay poetry and the Lambda Literary Award for Gay Poetry.
John Keene (born 1965) was named a MacArthur Fellow in 2018. In 1989, Keene joined the Dark Room Writers Collective, and is a Graduate Fellow of the Cave Canem Writers Workshops. He is the author of Annotations and Counternarratives, both published by New Directions, as well as several other works: including the poetry collection Seismosis, with artist Christopher Stackhouse, and a translation of Brazilian author Hilda Hilst's novel Letters from a Seducer. Keene is the recipient of many awards including the Windham-Campbell Prize, the Whiting Foundation Prize, the Republic of Consciousness Prize and the American Book Award. He teaches at Rutgers University-Newark.