Clearance Text

Riveting . . . An engrossing, street-level recounting and ambivalent ode to a great city.--Jamie Berger, San Francisco Chronicle

On July 13, 1977, there was a blackout in New York City. With the dark came excitement, adventure, and fright in subway tunnels, office towers, busy intersections, high-rise stairwells, hotel lobbies, elevators, and hospitals. There was revelry in bars and restaurants, music and dancing in the streets. On block after block, men and women proved themselves heroes by helping neighbors and strangers make it through the night.

Unfortunately, there was also widespread looting, vandalism, and arson. Even before police restored order, people began to ask and argue about why. Why did people do what they did when the lights went out? The argument raged for weeks but it was just like the night: lots of heat, little light-a shouting match between those who held fast to one explanation and those who held fast to another.

James Goodman cuts between accidents, encounters, conversations, exchanges, and arguments to re-create that night and its aftermath in a dizzying accumulation of detail. Rejecting simple dichotomies and one-dimensional explanations for why people act as they do in moments of conflict and crisis, Goodman illuminates attitudes, ideas, and experiences that have been lost in facile generalizations and analyses. Journalistic re-creation at its most exciting, Blackout provides a whirlwind tour of 1970s New York and a challenge to conventional thinking.

"A landmark study. . . . Amply demonstrates that the city is a tool to achieve social equity; that place, design, and sensitivity to multiculturalism matter; and that participatory democracy is forged through experiencing and designing the urban realm."--Peter M. Ward, University of Texas, Austin

For decades, a succession of military regimes and democratic governments in Brazil sought to shape the future of their society through the manipulation of urban spaces. Planned cities were built that reflected the ideals of high modernism, and urban designers and planners created clean-cut minimalist spaces that reflected the hope for an idyllic future in a still-developing nation. But these cities were criticized as "utopian dreams" in a country plagued with the urban realities of rampant sprawl and the infamous slums known as favelas.

In this international collection of essays, architects, urban planners, and scholars assess the legacy of Brazilian urbanism to date. They evaluate the country's experiments with modernism and examine how Brazilian cities are regenerating themselves within a democratic political framework that meets market and social demands, and respects place, culture, and history.

Vicente del Rio is professor in the city and regional planning department at California Polytechnic State University. William Siembieda is head of the city and regional planning department at California Polytechnic State University.

Marion Nestle, whom Michael Pollan ranked as the #2 most powerful foodie in America (after Michelle Obama) in Forbes, has always used cartoons in her public presentations to communicate how politics--shaped by government, corporate marketing, economics, and geography--influences food choice. Cartoons do more than entertain; the best get right to the core of complicated concepts and powerfully convey what might otherwise take pages to explain.

In Eat Drink Vote, Nestle teams up with The Cartoonist Group syndicate to present more than 250 of her favorite cartoons on issues ranging from dietary advice to genetic engineering to childhood obesity. Using the cartoons as illustration and commentary, she engagingly summarizes some of today's most pressing issues in food politics. While encouraging readers to vote with their forks for healthier diets, this book insists that it's also necessary to vote with votes to make it easier for everyone to make healthier dietary choices.