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'Globalization' has become one of the defining buzzwords of our time - a term that describes a variety of accelerating economic, political, cultural, ideological, and environmental processes that are rapidly altering our experience of the world. It is by its nature a dynamic topic. This Very Short Introduction has been fully updated for a fourth edition, to include recent developments in global politics, the global economy, and environmental issues.

Presenting globalization as a multifaceted process encompassing global, regional, and local aspects of social life, Manfred B. Steger looks at its causes and effects, examines whether it is a new phenomenon, and explores the question of whether, ultimately, globalization is a good or a bad thing. In this fourth edition Steger discusses some of the key features of recent years, such as the EU fiscal crisis, the rise of robot technology and new war technology with civilian usage such as drones, the Ebola epidemic in West Africa, and new identity discussions around gender fluidity and sex change in the media.

ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

"'Intergalactic Travels: poems from a fugitive alien' brilliantly expands the conversation on undocumented migration by tracing the legacy of illegality. Claiming 'every crossing becomes mine, ' Alan Pelaez Lopez, as fugitive alien, bravely takes on the task of traveling across galaxies to reach an elsewhere that is something more like a new holding. Against the failure of political language, this book of multimedia poems becomes a verb, an active imagining that takes the banality of papers and transforms it into poetry. This intergalactic traveling brings the 'Black NDN' migrant touchingly back to their mother's arms, and to her vision for life. If illegality is to be their legacy, Alan reimagines that illegality as both disruptive of settler-futures and productive for black and indigenous futures. We should be immensely grateful for this vision."

--Javier O. Huerta, author of 'American Copia: An Immigrant Epic'

"This is a stunning book. It's history, it's their story, it's an archive and a hard drive with a playful vibe. Its sense of humor girds and grounds and gallops around the gravity of law and belonging and erasure and choosing words and narratives and modes that were made without people like us in the room. It revels in colonial language as it tells that language to sit the f down. There's a new b on the scene. Take note and pay your respects."

--Tommy Pico, author of 'Feed'

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Intergalactic Travels: poems from a fugitive alien is an experimental poetry collection that renders an intimate portrait of growing up undocumented in the United States. Through the use of collages, photographs, emails, and immigration forms, Alan Pelaez Lopez formulates theories of fugitivity that position the Trans*Atlantic slave trade and Indigenous dispossession as root causes of undocumented immigration. Although themes of isolation and unbelonging are at the forefront of the book, the poet doesn't see belonging to U.S. society as a liberatory practice. Instead, Pelaez Lopez urges readers to question their inheritance and acceptance of "settler rage, settler fear, and settler citizenship," so that they can actively address their participation in everyday violences that often go unnoticed. As the title invokes, Intergalactic Travels breaks open a new galaxy where artists of color are the warriors that manifest the change that is needed not only to survive, but thrive.

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Excerpts appear at:

Pittsburgh Poetry Review

Vinyl Poetry

Gemstone Readings

Bozalta

A Quiet Courage

Poetry. Fiction. Drama. Literary Nonfiction. California Interest. Asian & Asian American Studies. Women's Studies. LGBTQIA Studieds. Art. Film. Music. MINERVA THE MISCARRIAGE OF THE BRAIN collects a decade of work from artist, musician, and author of ON HELL, Johanna Hedva. In plays, performances, an encyclopedia, essays, autohagiography, hypnagogic, and hypnapompic poems-in texts whose bodies drift and delight in form-Minerva tunnels into mysticism, madness, motherhood, and magic. Minerva gets dirty with the mess of gender and genius. She does the labor of sleep and dreams. She odysseys through Los Angeles, shapeshifting in stygian night and waking up to wail in the light. With illustrations by Isabelle Albuquerque.

Purchase or thrash: 'genius.' Relocate an 'Ancient Greek text' to 'contemporary Los Angeles.' Does a geographical cure excrete ghosts, 'visions of strange bodies poised and moving, ' or does it produce a 'deep, reverberating sound?' Johanna Hedva's MINERVA begins in this place and we go there, which is to say a reader does. Or might: float/trust this process of alchemical, pelvic, infinite, sub-maternal, and ceramic change.-Bhanu Kapil

Reverberations of this book outlast everything else in our ears, 'what felt like a skinned, feral cat breaching from my chest.' Definitely MINERVA, goddess of genius and poems! Celestial messenger Johanna Hedva gives up gold after the cult following of their book ON HELL. A (god)dess-sized reconstruction of the world we only thought we knew! Welcome home, poets!-CAConrad

Blood is spilled: the writer, the reader, the family, and the lovers are all brutally disemboweled. Abandonment, undeath, catharsis, and genius are all held to trial. Theatre, ritual, and memoir are cleaved open by sex, race, and the (mortal) body. MINERVA, as in all their writing, sets Hedva's astounding, somatic wisdom against an urgent, anarchistic wound. Let yourself belong to it.-Patrick Staff

Can an artist's personal history of their performances be a history of performance art? MINERVA THE MISCARRIAGE OF THE BRAIN traces both a decade of Johanna Hedva's performed works and the edges of that genre's history: bringing the intimate, fearful, feminine, traumatized, queer, and real-life-lived to look and admire and poke at the assumptions about what performance art has been: genius, unreachable, masculine, and hermetic. Hedva is both a wonderful writer in the school of Helene Cixous, Marina Tsvetaeva, and Clarice Lispector: and like them, a creator of spaces we didnâ (TM)t know that we're allowed.-Alexandra Grant

This text is a trouble-maker. Well, that's not quite right. The trouble was already there, we were just trying to hang a tapestry over it, maybe shove it into the dirt of our potted plant. Hedva has that knack, though, for revealing, for turning something we'd rather keep silent into a beautiful wail.-Jessa Crispin

A book about viscera and black ash; 'Blood and guts... soul and tears.' Dark matter and sea foam blessed by 'the tentacles of sea plants when they move...' This is the literature of THE VOID. I will treasure MINERVA as I do the most revelatory writings of Artaud.-Lara Mimosa Montes

I have this fantasy that upon our deaths, we each are replaced with a museum. And that in the museum, is a record, in relics, of what we made, tried to make, failed to make, and what made us. Johanna Hedvas MINERVA affirms and animates this fantasy, overlapping rapturous corporeality with the posthumous archive. It is the nomination of a life's work of laying bare negative space by way of the nebulization of the body into a museum. (MINERVA, by the way, is the goddess of everything.)-Brandon Shimoda