Clearance

This fall, the film festival circuit will be introduced to the indomitable Luli McMullen in Hick, the new film made from the acclaimed novel by Andrea Portes, who also adapted the screenplay. The film--directed by Derick Martini--stars Chloëeuml; Grace Moretz, Blake Lively and Eddie Redmayne and features Rory Culkin, Anson Mount, Juliette Lewis and Alec Baldwin in supporting roles.

Hick is the story of Luli (Moretz), a bright kid from a hick town who's had enough and strikes out on her own with some "borrowed" cash, a .45 and her wits. On the road, Luli is taken under the wing of a glamorous young grifter named Glenda (Lively), who has experienced worlds barely imaginable to Luli. As the two make their way across the American landscape, they encounter a captivating and dangerous young man named Eddie Kreezer (Redmayne), a disturbing criminal subculture, and some hard truths about what it means to be a young woman on the run, grasping at a future.

Hick the movie is produced by Lighthouse Entertainment and Taylor Lane Productions, with Stone River Productions serving as executive producer.

Though its first-person narrating voice is fast-paced, powerful and unquestionably authentic, Hick is a debut novel.

Beyond this voice, what makes the book so extraordinary is that, although all of the worst things imaginable do befall this 13-year-old girl, she is never defeated by them. Luli always fights back; she always resurfaces.

Set as a coming-of-age novel, Hick tracks the real perils that modern teenagers so often face. And it does so with bright wit, energy, and an indomitable spirit.

This is a book that will grab the reader from the first page and not let go.

And it is written by a woman who is becoming a cultural force in the hippest parts of Los Angeles.

In this new prose document, Bhanu Kapil follows a film crew to the Bengal jungle to re-encounter the true account of two girls found living with wolves in 1921. Taking as its source text the diary of the missionary who strove to rehabilitate these orphans--through language instruction and forcible correction of supinated limbs--HUMANIMAL functions as a healing mutation for three bodies and a companion poiesis for future physiologies. Through wolfgirls Kamala and Amala, there is a grafting: what scars down into the feral opens out also into the fierce, into a remembrance of Kapil's father. The humanimal text becomes one in which personal and postcolonial histories cross a wilderness to form supported metabiology. "Lucidly, holographically, your heart pulsed in the air next to your body; then my eyes clicked the photo into place. Future child, in the time you lived in, your arms always itched and flaked. To write this, the memoir of your body, I slip my arms into the sleeves of your shirt. I slip my arms into yours, to become four-limbed."