Poetry
Bread and Circus
by Airea D Matthews - Associate Professor and Co-Chair of Creative Writing
Author's website: www.aireadee.com
This is the 2023 hardcover edition of this collection. Click here to go to the 2024 paperback.
Drawing upon economics, theology, and psychology, Bread and Circus explores the lived experiences of those impacted by poverty and racial injustice. This poetry collection is innovative not only in its dissection of established ideals but also in its experimentation with poetic form, with a highlight being blackout poems made by subverting key words in economic texts. The final section of the collection is an especially moving series on collective grief and hope.
-Alyssa S., GSSWSR '24
Winner of the Los Angeles Times Book Prize
"Discerning and significant." --Poetry Foundation
"A sharp memoir in verse." --LitHub
This powerful and timely collection of autobiographical poems from Yale Young Poets Award Winner and Philadelphia's former Poet Laureate Airea D. Matthews about the economics of class is a brilliant intellectual and artistic contribution to the ongoing conversation about American inequality.
As a former student of economics, Airea D. Matthews was fascinated and disturbed by 18th-century Scottish economist Adam Smith's magnum opus The Wealth of Nations. Now, she presents a direct challenge to Smith's theory of the invisible hand, which claims self-interest is the key to optimal economic outcomes. By juxtaposing redacted texts by Smith and the French Marxist Guy Debord with autobiographical prose and poems, Bread and Circuspersonally offers how self-interest fails when it reduces people to commodity and spectacle.
A layered collection to be read and reread, with poems that range from tragic to humorous, in forms as varied and nuanced as the ideas the book considers, Bread and Circus asks what it is to have survived, indeed to have flourished, and at what cost. "Full of humane wisdom, this powerful volume forces readers to acknowledge systemic inequity" (Publishers Weekly, starred review) and is ideal for fans of Elizabeth Alexander, Natalie Diaz, Eve Ewing, and Gregory Pardlo.
American Faith
by Maya C Popa
ON CAMPUS - October 23
Beowulf
Composed toward the end of the first millennium, Beowulf is the elegiac narrative of the adventures of Beowulf, a Scandinavian hero who saves the Danes from the seemingly invincible monster Grendel and, later, from Grendel's mother. He then returns to his own country and dies in old age in a vivid fight against a dragon. The poem is about encountering the monstrous, defeating it, and then having to live on in the exhausted aftermath. In the contours of this story, at once remote and uncannily familiar at the beginning of the twenty-first century, Nobel laureate Seamus Heaney finds a resonance that summons power to the poetry from deep beneath its surface. Drawn to what he has called the "four-squareness of the utterance" in Beowulf and its immense emotional credibility, Heaney gives these epic qualities new and convincing reality for the contemporary reader.
Black Kripple Delivers Poetry & Lyrics
Brass Knuckles
Bread and Circus
CANNIBAL (P)
by Safiya Sinclair
ON CAMPUS: April 1, 2026
Colliding with and confronting The Tempest and postcolonial identity, the poems in Safiya Sinclair's Cannibal explore Jamaican childhood and history, race relations in America, womanhood, otherness, and exile. She evokes a home no longer accessible and a body at times uninhabitable, often mirrored by a hybrid Eve/Caliban figure. Blooming with intense lyricism and fertile imagery, these full-blooded poems are elegant, mythic, and intricately woven. Here the female body is a dark landscape; the female body is cannibal. Sinclair shocks and delights her readers with her willingness to disorient and provoke, creating a multitextured collage of beautiful and explosive poems.
Deaf Republic
by Ilya Kaminsky
At the trial of God, we will ask: why did you allow all this?
And the answer will be an echo: why did you allow all this?
Deaf Republic is an intimate confrontation of violence towards the vulnerable, balancing sign language and deaf culture with lyrical reckoning. Kaminsky's attention to moments of tenderness and power in times of oppression is a galvanizing call to care for others. A must-read.
- Alyssa S., GSSWSR '24
Finalist for the National Book Award - Finalist for the PEN/Jean Stein Award - Finalist for the National Book Critics Circle Award - Winner of the Los Angeles Times Book Prize - Winner of the Anisfield-Wolf Book Award - Winner of the National Jewish Book Award - Finalist for the Kingsley Tufts Poetry Award - Finalist for the T. S. Eliot Prize - Finalist for the Forward Prize for Best Collection
Ilya Kaminsky's astonishing parable in poems asks us, What is silence?
Deaf Republic opens in an occupied country in a time of political unrest. When soldiers breaking up a protest kill a deaf boy, Petya, the gunshot becomes the last thing the citizens hear--they all have gone deaf, and their dissent becomes coordinated by sign language. The story follows the private lives of townspeople encircled by public violence: a newly married couple, Alfonso and Sonya, expecting a child; the brash Momma Galya, instigating the insurgency from her puppet theater; and Galya's girls, heroically teaching signing by day and by night luring soldiers one by one to their deaths behind the curtain. At once a love story, an elegy, and an urgent plea, Ilya Kaminsky's long-awaited Deaf Republicconfronts our time's vicious atrocities and our collective silence in the face of them.
Devotions
"No matter where one starts reading, Devotions offers much to love. . . . Perhaps more important, the luminous writing provides respite from our crazy world and demonstrates how mindfulness can define and transform a life, moment by moment, poem by poem."--The Washington Post Tell me, what is it you plan to do
with your one wild and precious life?
--Mary Oliver, from "The Summer Day" Throughout her celebrated career, Mary Oliver touched countless readers with her brilliantly crafted verse, expounding on her love for the physical world and the powerful bonds between all living things. Arranged by Oliver herself shortly before her death in 2019, Devotions features Oliver's work from her very first book of poetry, No Voyage and Other Poems, published in 1963 at the age of twenty-eight, through her last, Felicity, published in 2015. This timeless volume showcases the beloved poet at her edifying best. Within these pages, she provides us with an extraordinary and invaluable collection of her passionate, perceptive, and much-treasured observations of the natural world.
Eyeshot
Scintillating new work from a celebrated contemporary poet.
Runner-up for the Pulitzer Prize for Poetry (2004)
Runner-up for the ForeWord magazine's Book of the Year Award (2003)
Heather McHugh's new book, Eyeshot, is a brooding, visionary work that takes aim at the big questions--those of love and death. The poems suggest that such immensities balance on the smallest details, and that a range of human blindness is inescapable.
The power of this new work comes from its delicate yet tenacious fidelity to the ever-unfolding senses of sense. The poems invite the reader to follow careening words and insights through passages both playful and profound. Her "Fido, Jolted by Jove" reveals the tension endemic to both language and living: "the world itself is worried." Yet the same poem remarks the high price of any reductive fix: "a brain this insecure may need another bolt be driven in it." This movement between anxiety and the human compulsion for order informs Eyeshot's darkly comic, 20/20 acuity.









