Reading Series 2025-2026
The Bryn Mawr Reading Series brings major American and international writers in all literary genres to engage with students and the Philadelphia area community.
For more information, visit the Reading Series page on the BMC website, where you can also sign up for the Arts at Bryn Mawr mailing list.
My Childhood in Pieces
by Edward Hirsch
ON CAMPUS: October 1, 2025
Affectionate, deadpan, and exuberant, steeped in Yiddishkeit and Midwestern practicality, Hirsch's laugh-and-cry performance animates a heartbreaking odyssey, from the cradle to the day he leaves home, armed with sorrow and a huge store of poetic wit.
Here Comes the Sun
by Nicole Dennis-Benn
ON CAMPUS: October 22, 2025
Patsy
by Nicole Dennis-Benn
ON CAMPUS: October 22, 2025
Woman Upstairs
by Claire Messud
ON CAMPUS: February 18, 2026
Promise
by Rachel Eliza Griffiths
ON CAMPUS: March 18, 2026
A KIRKUS REVIEWS AND CHICAGO PUBLIC LIBRARY BEST BOOK OF THE YEAR The people of Salt Point could indeed be fearful about the world beyond themselves; most of them would be born and die without ever having gone more than twenty or thirty miles from houses that were crammed with generations of their families. . . . But something was shifting at the end of summer 1957. The Kindred sisters--Ezra and Cinthy--have grown up with an abundance of love. Love from their parents, who let them believe that the stories they tell on stars can come true. Love from their neighbors, the Junketts, the only other Black family in town, whose home is filled with spice-rubbed ribs and ground-shaking hugs. And love for their adopted hometown of Salt Point, a beautiful Maine village perched high up on coastal bluffs. But as the girls hit adolescence, their white neighbors, including Ezra's best friend, Ruby, start to see their maturing bodies and minds in a different way. And as the news from distant parts of the country fills with calls for freedom, equality, and justice for Black Americans, the white villagers of Salt Point begin to view the Kindreds and the Junketts as threats to their way of life. Amid escalating violence, prejudice, and fear, bold Ezra and watchful Cinthy must reach deep inside the wells of love they've built to commit great acts of heroism and grace on the path to survival. In luminous, richly descriptive writing, Promise celebrates one family's story of resistance. It's a book that will break your heart--and then rebuild it with courage, hope, and love.
Seeing the Body
by Rachel Eliza Griffiths
ON CAMPUS: March 18, 2026
Poems and photographs collide in this intimate collection, challenging the invisible, indefinable ways mourning takes up residence in a body, both before and after life-altering loss.
In radiant poems--set against the evocative and desperate backdrop of contemporary events, pop culture, and politics--Rachel Eliza Griffiths reckons with her mother's death, aging, authority, art, black womanhood, memory, and the American imagination. The poems take shape in the space where public and private mourning converge, finding there magic and music alongside brutality and trauma. Griffiths braids a moving narrative of identity and its possibilities for rebirth through image and through loss.
A photographer as well as a poet, Griffiths accompanies the fierce rhythm of her verses with a series of ghostly, imaginative self-portraits, blurring the body's internal wilderness with landscapes alive with beauty and terror. The collision of text and imagery offers an associative autobiography, in which narratives of language, absence, and presence are at once saved, revised, and often erased. Seeing the Body dismantles personal and public masks of silence and self-destruction to visualize and celebrate the imperfect freedom of radical self-love.
CANNIBAL (P)
by Safiya Sinclair
ON CAMPUS: April 1, 2026
Colliding with and confronting The Tempest and postcolonial identity, the poems in Safiya Sinclair's Cannibal explore Jamaican childhood and history, race relations in America, womanhood, otherness, and exile. She evokes a home no longer accessible and a body at times uninhabitable, often mirrored by a hybrid Eve/Caliban figure. Blooming with intense lyricism and fertile imagery, these full-blooded poems are elegant, mythic, and intricately woven. Here the female body is a dark landscape; the female body is cannibal. Sinclair shocks and delights her readers with her willingness to disorient and provoke, creating a multitextured collage of beautiful and explosive poems.
How to Say Babylon
by Safiya Sinclair
ON CAMPUS: April 1, 2026
Playlist for the Apocalypse
In her first volume of new poems in twelve years, Rita Dove investigates the vacillating moral compass guiding America's, and the world's, experiments in democracy. Whether depicting the first Jewish ghetto in sixteenth-century Venice or the contemporary efforts of Black Lives Matter, a girls' night clubbing in the shadow of World War II or the doomed nobility of Muhammad Ali's conscious objector stance, this extraordinary poet never fails to connect history's grand exploits to the triumphs and tragedies of individual lives.
Meticulously orchestrated and musical in its forms, Playlist for the Apocalypse collects a dazzling array of voices: an elevator operator simmers with resentment, an octogenarian dances an exuberant mambo, a spring cricket philosophizes with mordant humor on hip hop, critics, and Valentine's Day. Calamity turns all too personal in the book's final section, "Little Book of Woe," which charts a journey from terror to hope as Dove learns to cope with debilitating chronic illness.
At turns audaciously playful and grave, alternating poignant meditations on mortality and acerbic observations of injustice, Playlist for the Apocalypse takes us from the smallest moments of redemption to catastrophic failures of the human soul. Listen up, the poet says, speaking truth to power; what you'll hear in return is "a lifetime of song."