Reading Series 26-27

Winner of the National Book Award
Winner of the California Book Award
Winner of Tournament of Books

Out in the desert in a place called the Palace, a young man tends to a dying soul, someone he once knew briefly but who has haunted the edges of his life: Juan Gay. Playful raconteur, child lost and found and lost, guardian of the institutionalized, Juan has a project to pass along, one built around a true artifact of a book--Sex Variants: A Study of Homosexual Patterns--and its devastating history. This book contains accounts collected in the early twentieth century from queer subjects by a queer researcher, Jan Gay, whose groundbreaking work was then co-opted by a committee, her name buried. The voices of these subjects have been filtered, muted, but it is possible to hear them from within and beyond the text, which, in Juan's tattered volumes, has been redacted with black marker on nearly every page. As Juan waits for his end, he and the narrator recount for each other moments of joy and oblivion; they resurrect loves, lives, mothers, fathers, minor heroes. In telling their own stories and the story of the book, they resist the ravages of memory and time. The past is with us, beside us, ahead of us; what are we to create from its gaps and erasures?

A book about storytelling--its legacies, dangers, delights, and potential for change--and a bold exploration of form, art, and love, Justin Torres's Blackouts uses fiction to see through the inventions of history and narrative. A marvel of creative imagination, it draws on testimony, photographs, illustrations, and a range of influences as it insists that we look long and steadily at what we have inherited and what we have made--a world full of ghostly shadows and flashing moments of truth. A reclamation of ransacked history, a celebration of defiance, and a transformative encounter, Blackouts mines the stories that have been kept from us and brings them into the light.

Little Bear feels the world around him. He feels his bed rumble when Dad Bear wakes him up in the morning. He feels the floor shake when his teacher stomps to get his attention. But something else is missing, like when his friends tell jokes that he isn't sure he understands, or when all around him Little Bear hears the question "Can bears ski?" Then, one day, Dad Bear takes him to see an "aud-i-olo-gist," and Little Bear learns that he has been experiencing deafness and will start wearing hearing aids. Soon he figures out what that puzzling refrain is: "Can you hear me?" Little Bear's new world is LOUD and will take some getting used to, but with the love and support of Dad Bear, he will find his way. In this lyrical picture book, award-winning creators Raymond Antrobus and Polly Dunbar draw on their own experiences to tell Little Bear's story.

Coming of age in a free Black community in Reconstruction-era Brooklyn, Libertie Sampson is all too aware that her mother, a physician, has a vision for their future together: Libertie is to go to medical school and practice alongside her. But Libertie is hungry for something else--is there really only one way to be independent? And she is constantly reminded that, unlike her light-skinned mother, she will not be able to pass for white. When a young man from Haiti proposes to Libertie and promises a better life on the island, she accepts, only to discover that she is still subordinate to him and all men. As she tries to parse what freedom actually means for a Black woman, Libertie struggles with where she might find it--for herself and for generations to come.

Inspired by the life of one of the first Black female doctors in the United States, critically acclaimed and Whiting Award-winning author Kaitlyn Greenidge returns with an unforgettable and immersive novel that will resonate with readers eager to understand our present through a deep, moving, and lyrical dive into our past.