General Books

Sometimes middle school can make you feel like you're totally alone in the universe . . . but what if we aren't alone at all?

Thanks to her best friend, Reagan, Mallory Moss knows the rules of middle school. The most important one? You have to fit in to survive. But then Jennifer Chan moves in across the street, and that rule doesn't seem to apply. Jennifer doesn't care about the laws of middle school, or the laws of the universe. She believes in aliens--and she thinks she can find them.

Then Jennifer goes missing. Using clues from Jennifer's journals, Mallory goes searching. But the closer she gets to answers, the more Mallory has to confront why Jennifer might have run . . . and face the truth within herself.

Tae Keller lights up the sky with this insightful story about shifting friendships, right and wrong, and the power we all hold to influence and change one another. No one is ever truly alone.

The poet's art is revealed in stages in this "making-of" book, where we watch as poems take shape--first as dreams or memories, then as drafts, and finally as completed works set loose on the world. In the long poem "Must We Mean What We Say," a woman reader narrates in prose the circumstances behind poems and snippets of poems she receives in letters from a stranger. Who made up whom? Chiasson, an acclaimed poetry critic, has invented a remarkable structure where the reader and a poet speak to one another, across the void of silence and mystery. He is also the father of teenaged sons, and this volume continues the autobiographical arc of his prior, celebrated volumes. One long section is about the age of thirteen and the dawning of desire, while the title poem looks at the crucial age of fifteen and the existential threat of climate change and gun violence, which alters the calculus of adolescence. Though the outlook is bleak, these poems register the glories of our moment: that there are places where boys can kiss each other and not be afraid; that small communities are rousing and taking care of each other; that teenagers have mobilized for a better world. All of these works emerge from the secretive imagination of a father as he measures his own adolescence against that of his sons and explores the complex bedrock of marriage. Chiasson sees a perilous world both navigated and enriched by the passionate young and by the parents--and poets--who care for them.

Eggs are breakable. Hope is not.

When Natalie's science teacher suggests that she enter an egg drop competition, Natalie thinks that this might be the perfect solution to all of her problems. There's prize money, and if she and her friends wins, then she can fly her botanist mother to see the miraculous Cobalt Blue Orchids--flowers that survive against impossible odds. Natalie's mother has been suffering from depression, and Natalie is sure that the flowers' magic will inspire her mom to love life again. Which means it's time for Natalie's friends to step up and show her that talking about a problem is like taking a plant out of a dark cupboard and giving it light. With their help, Natalie begins an uplifting journey to discover the science of hope, love, and miracles.

A vibrant, loving debut about the coming-of-age moment when kids realize that parents are people, too. Think THE FOURTEENTH GOLDFISH meets THE THING ABOUT JELLYFISH.

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR * KIRKUS REVIEWS * THE CHICAGO PUBLIC LIBRARY *

"Natalie's Korean heritage is sensitively explored, as is the central issue of depression."
--Publishers Weekly

"A compassionate glimpse of mental illness accessible to a broad audience."
--Kirkus Reviews, STARRED REVIEW

"Holy moly!!! This book made me feel."
--Colby Sharp, editor of The Creativity Project, teacher, and cofounder of Nerdy Book Club

A moving memoir by a survivor of anti-Muslim violence in contemporary India that delicately weaves political and family histories in a tribute to her country's unique Islamic heritage--"a must-read in our warring world today" (NPR)

"A harrowing survivor's tale, an important history lesson, and a desperate warning from someone who has seen the tragic effects of ethnic violence."--Time

In 2002, Zara Chowdhary is sixteen years old and living with her family in Ahmedabad, one of India's fastest-growing cities, when a gruesome train fire claims the lives of sixty Hindu right-wing volunteers and upends the life of five million Muslims. Instead of taking her school exams that week, Zara is put under a three-month siege, with her family and thousands of others fearing for their lives as Hindu neighbors, friends, and members of civil society transform overnight into bloodthirsty mobs, hunting and massacring their fellow citizens. The chief minister of the state at the time, Narendra Modi, will later be accused of fomenting the massacre, and yet a decade later, will rise to become India's prime minister, sending the "world's largest democracy" hurtling toward cacophonous Hindu nationalism.

The Lucky Onestraces the past of a multigenerational Muslim family to India's brave but bloody origins, a segregated city's ancient past, and the lingering hurt causing bloodshed on the streets. Symphonic interludes offer glimpses into the precious, ordinary lives of Muslims, all locked together in a crumbling apartment building in the city's old quarters, with their ability to forgive and find laughter, to offer grace even as the world outside, and their place in it, falls apart.

The Lucky Ones entwines lost histories across a subcontinent, examines forgotten myths, prods a family's secrets, and gazes unflinchingly back at a country rushing to move past the biggest pogrom in its modern history. It is a warning thrown to the world by a young survivor, to democracies that fail to protect their vulnerable, and to homes that won't listen to their daughters. It is an ode to the rebellion of a young woman who insists she will belong to her land, family, and faith on her own terms.