General Books

Over the course of her sixty-five-year career, the longest of any female filmmaker, Agnès Varda (1928-2019) wrote and directed some of the most acclaimed films of her era, from her tour de force Cléo from 5 to 7 (1962), a classic of modernist cinema, to the beloved documentary The Gleaners and I (2000) four decades later. She helped to define the French New Wave, inspired an entire generation of filmmakers, and was recognized with major awards at the Cannes, Berlin, and Venice Film Festivals, as well as an honorary Oscar at the Academy Awards.

In this lively biography, former Philadelphia Inquirer film critic Carrie Rickey explores the "complicated passions" that informed Varda's charmed life and indelible work. Rickey traces Varda's three remarkable careers--as still photographer, as filmmaker, and as installation artist. She explains how Varda was a pioneer in blurring the lines between documentary and fiction, using the latest digital technology and carving a path for women in the movie industry. She demonstrates how Varda was years ahead of her time in addressing sexism, abortion, labor exploitation, immigrant rights, and race relations with candor and incisiveness. She makes clear Varda's impact on contemporary figures like Ava DuVernay, Greta Gerwig, Barry Jenkins, the Safdie brothers, and Martin Scorsese, who called her one of the Gods of cinema. And she delves into Varda's incredibly rich social life with figures such as Harrison Ford, Jean-Luc Godard, Jim Morrison, Susan Sontag, and Andy Warhol, and her nearly forty-year marriage to the celebrated director Jacques Demy.

A Complicated Passion is the vibrant biography that Varda, regarded by many as the greatest female filmmaker of all time, has long deserved.

Cross-cultural encounters in Europe and Asia in the sixteenth and seventeenth centuries brought the potential for bafflement, hostility, and admiration. The court was the crucial site where expanding Eurasian states and empires met and were forced to make sense of one another. By looking at these interactions, Courtly Encounters provides a fresh cross-cultural perspective on the worlds of early modern Islam, Counter-Reformation Catholicism, Protestantism, and a newly emergent Hindu sphere.

Both individual agents and objects such as texts and paintings helped mediate encounters between courts, which possessed rules and conventions that required decipherment and translation, whether in words or in pictures. Sanjay Subrahmanyam gives special attention to the depiction of South Asian empires in European visual representations, finding a complex history of cultural exchange: the Mughal paintings that influenced Rembrandt and other seventeenth-century Dutch painters had themselves been earlier influenced by Dutch naturalism. Courtly Encounters provides a rich array of images from Europe, the Islamic world, India, and Southeast Asia as aids for understanding the reciprocal nature of cross-cultural exchanges. It also looks closely at how insults and strategic use of martyrdom figured in courtly encounters.

As he sifts through the historical record, Subrahmanyam finds little evidence for the cultural incommensurability many ethnohistorians have insisted on. Most often, he discovers negotiated ways of understanding one another that led to mutual improvisation, borrowing, and eventually change.

WINNER, 2024 Pauli Murray Book Prize, given by the African American Intellectual History Society

A history of Black urban placemaking and politics in Philadelphia from the Great Migration to the era of Black Power

In this book, author J.T. Roane shows how working-class Black communities cultivated two interdependent modes of insurgent assembly--dark agoras--in twentieth century Philadelphia. He investigates the ways they transposed rural imaginaries about and practices of place as part of their spatial resistances and efforts to contour industrial neighborhoods. In acts that ranged from the mundane acts of refashioning intimate spaces to expressly confrontational and liberatory efforts to transform the city's social and ecological arrangement, these communities challenged the imposition of Progressive and post-Progressive visions for urban order seeking to enclose or displace them.

Under the rubric of dark agoras Roane brings together two formulations of collectivity and belonging associated with working-class Black life. While on their surface diametrically opposed, the city's underground--its illicit markets, taverns, pool halls, unlicensed bars, as well as spaces housing illicit sex and informal sites like corners associated with the economically and socially disreputable--constituted a spatial and experiential continuum with the city's set apart--its house meetings, storefronts, temples, and masjid, as well as the extensive spiritually appropriated architectures of the interwar mass movements that included rural land experiments as well as urban housing, hotels, and recreational facilities. Together these sites incubated Black queer urbanism, or dissident visions for urban life challenging dominant urban reform efforts and their modes of producing race, gender, and ultimately the city itself. Roane shows how Black communities built a significant if underappreciated terrain of geographic struggle shaping Philadelphia between the Great Migration and Black Power. This fascinating book will help readers appreciate the importance of Black spatial imaginaries and worldmaking in shaping matters of urban place and politics.

INSTANT NEW YORK TIMES BESTSELLER

A dramatically new understanding of human history, challenging our most fundamental assumptions about social evolution--from the development of agriculture and cities to the origins of the state, democracy, and inequality--and revealing new possibilities for human emancipation.

For generations, our remote ancestors have been cast as primitive and childlike--either free and equal innocents, or thuggish and warlike. Civilization, we are told, could be achieved only by sacrificing those original freedoms or by taming our baser instincts. In their major New York Times bestseller, The Dawn of Everything, David Graeber and David Wengrow fundamentally challenge these assumptions and recast our understanding of human history. We will never again see the past in the same way.

Drawing on pathbreaking research in archaeology and anthropology, Graeber and Wengrow reveal how history becomes a far more interesting place once we learn to throw off our conceptual blinders and perceive what's really there. If humans did not spend 95 percent of their evolutionary past in tiny bands of hunter-gatherers, what were they doing during all that time? If agriculture and cities did not mean a plunge into hierarchy and domination, then what kinds of social and economic organizations did they lead to? The answers are often unexpected, and suggest that the course of human history may be less set in stone, and more open to playful, hopeful possibilities, than we tend to assume.

Destined to be a classic, The Dawn of Everything signals a paradigm shift, profoundly transforming our understanding of the human past and making space to imagine new forms of freedom, new ways of organizing society. This is a monumental book of formidable intellectual and political range, animated by curiosity, moral vision, and hopefulness.